![]() ![]() A 64-bit operating system: Microsoft® Windows 10 or Windows 11 macOS 10.15 (Catalina), 11 (Big Sur)*, or 12 (Monterey)* *Intel processors only.*Partial copy in Prepare requires transcode for some formats Write, rename, and delete clips to SxS media and USB storage via FTP on the PZW-4000įormat USB drives for the Sony PZW-4000 deckĬreate the XDROOT folder on USB drives or SxS mediaĭisplay OK/NG/KEEP metadata flag sort and filter by flag Synchronize mark points between source clip and libraryįast device-to-device copy between Sony devices via FTPĬopy clips between Sony and non-Sony FTP devices.Ĭopy growing MXF files via FTP/FTPS from Sony decksĬlose growing MXF files generated by Sony decks Read mark in/out points from MXF metadataĬreate non-realtime (NRT) metadata for discontinuous timecode and essence marks when creating new NRT metadata during MXF copy Stitch multiple clips to create a single continuous clipĪdd, delete, or edit essence marks in MXF clips cube)īatch encoding in the Stabilize Clip workspaceĬompensate for lens breathing using metadata Import ASC-CDL (.cdl) color correction settingsĮxport color correction settings as ASC-CDL (.cdl) or 3D LUT (.3dl or. SDR black level: adjust black levels when the working color space is set to Rec.2020/S-Log3 (HDR) SDR knee saturation: compensate for decreased saturation around the knee curve when exporting HDR content to an SDR format or displaying on an SDR display SDR knee curve: preserve midrange colors and highlights when exporting HDR content to an SDR format or displaying on an SDR display SDR gain: convert between standard- and high-dynamic-range contentĪutomatically apply LUT and EI metadata for HDR to SDR conversion Read SR Live settings from clip metadata and use clip settings or manual adjustments to convert between standard- and high-dynamic range content. Support for reading and rendering HDR color spaces (S-Log3, HLG, and PQ) Sony device color space controls (S-Log & S-Gamut) Upload clips to Ci with burned-in timecode and/or clip nameīatch apply color presets and looks to a selection of clips Upload clips to Ci in a transcoded format Override start timecode during copy/exportĬonvert segmented body partitions for XDCAMįull-volume backup with checksum verification Load, save, and delete transcoding presetsĬonvert SD and HD sources to modern progressive HD and UHD assetsīurn in clip names, timecode, and watermarksĮxport storyboard as EDL (Catalyst Edit, Vegas, Final Cut, Premiere) Manage audio channels in multichannel audio filesĭrag and drop to copy between folders (and bins in Prepare) ProRes (read only on Windows read/export on macOS)īatch renaming with prefix, numbering, and suffix XAVC S Intra and Long 422 10-bit export (MP4) ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |